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A Brief Note On Sweeney Todd

Posted by acdtest on January 23, 2004

A Brief Note On Sweeney Todd

Had anyone suggested to me before yesterday that I’d spend two consecutive days listening four times through a complete Stephen Sondheim musical — listening in the same way I listen through, say, a complete Wagner opera — I would have thought that person lunatic.

But that’s just what I’ve finished doing, and I can report (and, yes, I know just how late to the party I am) Sweeney Todd is a veritable wonder, and the original cast CD (RCA) a wonder as well. The audio is sterling, and the performances first-rate all round, vocally and dramatically, the chorus most decidedly included. And Angela Lansbury’s Mrs. Lovett — an impossible role, vocally and dramatically — is done so superbly the performance beggars adequate description or praise.

But most amazing of all is the orchestral music; music as dramatically Wagnerian-integral to the play as anything any of Wagner’s successors ever wrote. The music itself is astonishingly rich, complex, and difficult, and here performed to utter perfection by this supplemented pit band conducted by Paul Gemignani (a name unknown to me); a performance, ensemble-wise, the equal of, or better than, any of this country’s major symphony orchestras.

I’m totally blown away by Sweeney, and haven’t finished with it yet.

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