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The Music

Posted by acdtest on February 17, 2004

The Music

In an article on the past, present, and future of classical music, Alex Ross, eloquent music critic for the New Yorker, opens with,

I hate “classical music”: not the thing but the name. It traps a tenaciously living art in a theme park of the past. It cancels out the possibility that music in the spirit of Beethoven could still be created today. It banishes into limbo the work of thousands of active composers who have to explain to otherwise well-informed people what it is they do for a living. The phrase is a masterpiece of negative publicity, a tour de force of anti-hype. I wish there were another name. I envy jazz people who speak simply of “the music.” Some jazz aficionados also call their art “America’s classical music,” and I propose a trade: they can have “classical,” I’ll take “the music.”

and closes by writing,

Two centuries ago, Beethoven bent over the manuscript of the “Eroica” and struck out Napoleon’s name. It is often said that he made himself the protagonist of the work instead. Indeed, he engendered an archetype-the rebel artist hero-that modern artists are still recycling. I wonder, though, if Beethoven’s gesture meant what people think it did. Perhaps he was freeing his music from a too specific interpretation, from his own preoccupations. He was setting his symphony adrift, as a message in a bottle. He could hardly have imagined it travelling two hundred years, through the dark heart of the twentieth century and into the pulverizing electronic age. But he knew it would go far, and he did not weigh it down. There was now a torn, blank space on the title page. The symphony became a fragmentary, unfinished thing, and unfinished it remains. It becomes whole again only in the mind and soul of someone listening for the first time, and listening again. The hero is you.

I here provide the above quotes, and the above link to the full article (which, though long, I urge you to read), without immediate comment.

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